#The great wall movie time serial
If you’re a horror-movie aficionado, you’ve seen more vampires, werewolves, zombies, and serial killers than you could shake a stick, stake, silver bullet, or arrest warrant at.
In TV, movies, and real life, women have been at the forefront of the year’s biggest stories - so this Halloween season, we’re looking at pop culture’s most wicked depiction of female power. If anything, the fact that it leaps from beautiful fantasy silliness to cornball tin-eared earnestness only adds to the old-timey monster movie appeal of The Great Wall. So there’s rarely enough time to dwell on any of the dull scenes, and Zhang Yimou’s stunning set pieces are always only a few minutes away. It’s a real rollercoaster of a viewing experience in both good ways and bad.įortunately, the eye-candy accounts for almost half the running time and the flick flies by fast. Stunning epic monster mash action or hilariously earnest nonsense. Basically, the movie is either exposition or spectacle.
The actors rarely get a chance to do more than pose, with Willem Dafoe embarrassingly lost (and awkwardly edited into many scenes that were clearly shot without him) and Damon fumbling through an ill-advised accent that’s occasionally Irish(ish). The fairy tale themes about embracing international bonds to fight larger evils and the perils of greed are nauseatingly overstated. The dialogue is so stilted that it’s shocking it was written by Hollywood veterans, and not poorly translated. Now that bad news, every time the characters open their mouths the movie becomes less interesting.
This is A+ eye candy and the fact that it’s all used for a monster battle on the Great Wall Of China, well, that’s just awesome. The set pieces are downright hypnotic with highlights including a balletic bungee jumping troupe of women warriors, a tense monster fight with whistling arrows, an astounding hot air balloon ride, and a final fight that’s downright hallucinogenic in its use of colour. Scale is massive, extras plentiful, and CGI impressive. His love of rigid compositions, painterly colour palettes, kinetic action, and poetic montage translate beautifully into the blockbuster arena and this, his largest production, is no exception. Director Zhang Yimou began his career crafting ornate art movies before transitioning into action epics with stunning titles like Hero and The House Of Flying Daggers. Good news first: The Great Wall is an absolutely gorgeous movie to behold. The claw means the latest attack is coming a bit early and now Damon finds himself in the middle of a good old-fashioned monster mash. You see, that claw belongs to a collection of monsters who blatantly symbolize human greed, and attack China every 60 years (that’s why they built the wall, apparently). When they are discovered by a massive Chinese army led by Zhang Hanyu, Jing Tian, and Andy Lau, they survive only because they have that claw in their possession. One night they are attacked by an unseen beast, with only a scaly claw lopped off by Damon’s sword left behind as proof. We know they’ve been travelling for a long time because they have massive fake beards and learn that they are searching for black powder that goes boom.
Matt Damon stars as a warrior of mysterious origin who has travelled from Europe to China and picked up a buddy (Pedro Pascal) along the way. In many ways, it feels like an old-timey monster movie, equal parts imaginative, corny, and insane. Viewers will be thrilled by the spectacle, stunned by the gorgeous imagery, and laugh like a lunatic whenever the movie slows down long enough for characters to speak to each other. In a time when most A productions are actually B movies, and most schlock comes with layers of irony, there’s something undeniably charming about the unapologetic sincerity and stupidity of The Great Wall. The Great Wall is a massive international production combining the power and cash of the Chinese and Hollywood film industries to create a huge and stupid monster movie.
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